PROGRAM Olivie 9 september -11 october 2010 REAL ART Сurators: Bogdan Mamonov, Sergey Popov Vladimir Salnikov, Nina Kotel, Bogdan Mamonov, Sasha Leech, Boris Smelov, Nikolay Kasatkin, Ivan Lukinyh, Olga Chernyshova, Sasha Sokolov, Tasia Korotkova, Alexander Pogorgelsky, Katya Rogkova. Gruntovka 9-20 september 2010 GOLDEN POT Petr Maslov Curator - Bogdan Mamonov   3-20 march 2010 MODUS Group & SARAH TREMLETT MODUS GROUP. PELIKULA (mixed media installation) EKATERINA KOCHKINA: programming ALEXANDER TARBEEV: programming, graphics DARYA CHAPKOVSKAYA: idea, sculpture INNOKENTY SHARKOV: idea, engineering decision, sculpture Creating order out of chaos. Creating an image through movement and viewer’s activity. Primordial chaos and the word that was in the beginning. In the beginning of each conscience, each act of thinking and will there remains a word. This is video installation with the transparent layer onto which the text is projected. Thus, the image seems to be soaring in the air. A program that modulates text receives a signal from the camera placed in the room. Each movement within camera’s “eyeshot” makes dashing letters on a layer form a text. Sculpture made out of coins in the context of this installation creates fanciful “holes” in the text on the layer. A viewer can see sculptures through their shadows and reveal the installation by discovering the space beyond. If the viewer continues moving, he then finds himself behind the layer. Having got into the projector’s ray, the viewer becomes a shadow for those who are watching from the outside, breaking the word order and forming a new active element of the installation. That is one more “semantic layer” of the work. SARAH TREMLETT ‘Patterned Utterance’ This work explores the female voice in conjunction with the historically patriarchal frameworks which surround scientific experimentation and methods of monitoring. Vocal vibrations have subverted the readings given from a highly sensitive scanning probe microscope. Where words have been spoken there are ‘errors’ in the readings (where there are paler lines) – thereby creating an image from the spoken word. The dialogue is decoded on the case of the dvd. Blanks in Discourse: 03 Error aligns with the feminine and the individual within the pages of womens’ magazines. Here magazine text is subverted with ‘rogue’ words I and Home in the colour red, usually used to denote errors in proof reading marks, but also representing a sense of self within a black text world. The writing loops on a continuous scroll. Presenting the work in scroll format emphasises the cinematic or artificial nature of the construction of the socially-defined self. A computer error sound beeps every time a word ‘which is not meant to be there’ (i.e. I or Home) passes the top of the screen.